🎉   Welcome to our new web site!   🎉

For the next 30 days, we’re providing free access to non-subscribers so you can see what we have to offer. And if you subscribe by May 1, you’ll get a 25% discount on your subscription! We hope you’ll like what you see and want to support local media.

Printmaking in spotlight at Center for Visual Art

Denver gallery celebrates diversity of contemporary works from area artists


Just inside the entrance to the Center for Visual Art, CVA, in Denver’s Santa Fe Art District is a welcoming small formal garden, “Green Barrier,” created by Mackenzie Browning — a really striking three-dimensional example of what can happen with contemporary printmaking. Plants, mulch and a covering of rounded river rocks are all printed with silk-screen technique and assembled in a striking composition. Browning is a Canadian, who now lives and works in Denver.

Jurors awarded “Green Barrier” the Sue Brown Cannon Award for excellence in printmaking — as well as six Juror’s Choice awards to other participants, two from each juror. Winners are mixed throughout the exhibit — look for them.

“528.0 Regional Juried Printmaking Exhibition” results from a collaboration between the Center for Visual Arts, CVA, (Metropolitan State University’s gallery on Santa Fe Drive, a division of the MSU art department), with curator and managing director Cecily Cullen and The Invisible Museum. The latter is led by Denver curator/printmaker/teacher Mark Lunning and Emily Moyer.

The goal was to celebrate the diversity of contemporary printmaking found in this area. Artists who lived/worked within a 528.0-mile radius of Denver were eligible to enter.

They could submit hand-pulled prints and intaglio, lithography, relief, silkscreen or experimental methods, and the variety of techniques is dazzling. Size varies from several floor-to-ceiling works and Browning’s three-dimensional garden to small delicate etchings. Some are colorful, others black and white. Some tell stories, while others are purely abstract — and there are points in between.

Three jurors chose 96 works by 58 artists to be exhibited at the CVA through July 22. They are: Ashley Nason, a visiting professor in printmaking at Metropolitan State University; Ron Pokrasso, longtime exhibiting artist and printmaker; and Mark Ritchie, who teaches printmaking at the University of Wyoming.

A visitor should allow time for close examination and contemplation—how in the world did they do that?! A series of free remaining demonstrations and discussions will offer some explanations. Check msudenver.edu/cva to register. All are free, but space is limited.

• June 16, Third Friday, from 7 to 9 p.m.: “Carving Your Niche — Printmaking Practices + Community” will feature panelists Peter Bergman, Jennifer Ghormley, Thomas McLaughlin and Mandi Quinn.

• June 24, 1 to 3 p.m.: “Gelatin Monotypes” with Emily Moyer is a workshop for all ages, introducing a non-press process.

• July 1, 1 to 3 p.m.: “Screen Printing” with Mark Friday. Pull a print of your own, with Friday’s tools.

• July 15, 1 to 3 p.m.: “Monotypes on Black Printing Paper” with Tony Ortega. Learn a multi-step process to create an image using a plexiglass plate. (Ortega’s prints are included in the exhibit.)

In the student-organized 965 Gallery within the CVA is “Analogue Impressions: Examining the Printmaking Process.”

If you go

“528.0” runs through July 22 at the CVA, 965 Santa Fe DrIVE, Denver. Admission is free. Hours: 11 a.m. to 6 p.m. Tuesdays through Fridays; noon t0 5 p.m. Saturdays; open until 8 p.m. on First and Third Fridays. 303-294-5207, msudenver.edu/cva.


Our Papers

Ad blocker detected

We have noticed you are using an ad blocking plugin in your browser.

The revenue we receive from our advertisers helps make this site possible. We request you whitelist our site.